Photography has always had the incredible power of touching the hearts of people of all nationalities, languages and ages, while being a tool to create awareness on the most varied issues. And this is what British photographer and photojournalist Jimmy Nelson is trying to do by visiting the Planet’s remaining indigenous cultures. Through his lens, he shows us the value
Photography has always had the incredible power of touching the hearts of people of all nationalities, languages and ages, while being a tool to create awareness on the most varied issues. And this is what British photographer and photojournalist Jimmy Nelson is trying to do by visiting the Planet’s remaining indigenous cultures. Through his lens, he shows us the value – and beauty – of the world’s cultural diversity.
His images bring us to the world’s remotest corners and testimony the speed with which these communities adapt and change as they relentlessly approach and embrace the future. Nelson’s journeys to visit the world’s tribes have given life to the photo book Before They Pass Away (part 1 and part 2). We talked to him about his vocation, his adventures and connections with indigenous tribes.
You started off your journey as a photographer travelling through Tibet. How and why did you begin to focus on indigenous cultures? When I was 17 I didn’t start out to be a photographer. I ran away. I had some strange experiences as a child that disconnected me. My hair fell out when I was 16 so my appearance changed and I was very creative so some people thought I was stupid. I wasn’t a happy teenager. I disappeared to Tibet not because there were indigenous peoples but because there were monks there with no hair. It was a connection. My journey was a process of reconnection: who am I? How do I look? How do you see me? How do I see you? And my camera was a metaphor for recording who I met. On the journey of two years, more people gave me love and kindness than had ever given me before in my own culture. So maybe today, 33 years later, I’m still doing the same. I’m not an anthropologist, I’m not an ethnologist. I’m selfishly trying to keep reconnecting with people who are humanly very rich and real.
The book Before They Pass Away part 1 is about 35 chosen indigenous communities. How did you select them and how did you contact them? They were meant to be a visual kaleidoscope of geographical diversity: the world’s most colourful and the world’s most isolated cultures in varying landscapes. The whole idea is an aesthetic cross-section. I’ve connected to them through the experiences I’ve had by spending my whole life travelling. So I know roughly where they are but I leave it to chance when I get there to see what happens. The second part of the project – Before they pass away part 2 – which is coming out next autumn, is about 85 more indigenous groups. But now people are approaching me: “Visit us. We’re special, we’re unique”. And in part 2 I’m returning to some of the tribes in the first book to complete the circle of discussion.
The multi-coloured beauty of the world’s indigenous cultures, through Jimmy Nelson’s photographs
Diritti — di Camilla Soldati
Photography has always had the incredible power of touching the hearts of people of all nationalities, languages and ages, while being a tool to create awareness on the most varied issues. And this is what British photographer and photojournalist Jimmy Nelson is trying to do by visiting the Planet’s remaining indigenous cultures. Through his lens, he shows us the value